Since the 1990s, Françoise Pétrovitch has produced one of the most powerful bodies of work on the French art scene. Amongst the numerous mediums that she has explored — ceramics, glass, ink washes, painting, print and video — drawing remains predominant. Pétrovitch’s art reveals an ambiguous world, playing with conventional boundaries and eluding any particular interpretation. Her universe is populated by children, teenagers or young people caught in actions whose meaning is not always comprehended. Animals or chimeras, flowers, and dark and mysterious landscapes are also part of her visual vocabulary. Intimacy, fragments of life and disappearance, alongside recurrent themes such as the double and the repetitive create suspended fluid and melancholic atmospheres sometimes echoing and reinterpreting various topics found throughout the history of art.