BLUE HOUR
Marie Velardi
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Tami Ichino, Untitled (blue glitter), 2007, Plaster, acrylic, graphite powder, glitter, varnish, ca. 8 x 10 x 7 cm (each)
Installation view: Blue Hour, Gowen Contemporary, Geneva, 2018. © Claude Cortinovis
Pascal Berthoud, Comme une formation nuageuse X, 2016, Pencil and watercolor on paper, 220 x 115 cm.
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ABOUT
IMAGES
Installation view: Blue Hour, Gowen Contemporary, Geneva, 2018. © Claude Cortinovis
Installation view: Blue Hour, Gowen Contemporary, Geneva, 2018. © Claude Cortinovis
Claude Cortinovis, Au plus près de ma ligne bleu de Prusse, 24.04.2018, Acrylic ink on paper with grid handmade with pencil, 100 x 70 cm.
Alberto Finelli & Evyenia Gennadio, Pictionary 8. I see John Lenon, I see blue, Mixed media print on paper, 105 x 80 cm.
Yifat Bezalel, Hidhud (Echoing), 2010, Ink on paper, 70 x 100 cm.
Installation view: Blue Hour, Gowen Contemporary, Geneva, 2018. © Claude Cortinovis
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Installation view: Blue Hour, Gowen Contemporary, Geneva, 2018. © Claude Cortinovis
Installation view: Blue Hour, Gowen Contemporary, Geneva, 2018. © Claude Cortinovis
Claude Cortinovis, Au plus près de ma ligne bleu de Prusse, 24.04.2018, Acrylic ink on paper with grid handmade with pencil, 100 x 70 cm.
Alberto Finelli & Evyenia Gennadio, Pictionary 8. I see John Lenon, I see blue, Mixed media print on paper, 105 x 80 cm.
Yifat Bezalel, Hidhud (Echoing), 2010, Ink on paper, 70 x 100 cm.
Installation view: Blue Hour, Gowen Contemporary, Geneva, 2018. © Claude Cortinovis
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Installation view: Blue Hour, Gowen Contemporary, Geneva, 2018. © Claude Cortinovis
Installation view: Blue Hour, Gowen Contemporary, Geneva, 2018. © Claude Cortinovis
Claude Cortinovis, Au plus près de ma ligne bleu de Prusse, 24.04.2018, Acrylic ink on paper with grid handmade with pencil, 100 x 70 cm.
Alberto Finelli & Evyenia Gennadio, Pictionary 8. I see John Lenon, I see blue, Mixed media print on paper, 105 x 80 cm.
Yifat Bezalel, Hidhud (Echoing), 2010, Ink on paper, 70 x 100 cm.
Installation view: Blue Hour, Gowen Contemporary, Geneva, 2018. © Claude Cortinovis
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