Gowen Contemporary

Gino Sabatini Odoardi
Senza Titolo con Sedia (Untitled with Chair)
2016, polystyrene thermoforming, wood, straw, enamel, 40 x 80 x 90 cm

Installation view: Bilico, Gowen, Geneva, 2023. ©Julien Gremaud.

Claude Cortinovis, J’étais ce que tu es et ce que je suis tu le seras #15, 16.02.23, India ink on pigment print on 100% cotton paper, 32.9 x 32.9 cm

ABOUT

Claude Cortinovis, Antonio Riello, Gino Sabatini Odoardi

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In the Press :
Article: Gino Sabatini Odoardi. Pieghe imperiture, Segno, by Miriam Di Francesco, Adriana Polveroni and Claudio Libero Pisano, May-June 2023 (IT)

Article: Gino Sabatini Odoardi espone alla Gowen di Ginevra, Il Centro, by Jolanda Ferrara, 24.07.2023 (IT)

IMAGES

Installation view: Bilico, Gowen, Geneva, 2023. ©Julien Gremaud.

Antonio Riello, Gluttony as a crime, 2023, Regenerated coconut fibers, 150 x100 cm.

Gino Sabatini Odoardi, Untitled, 2023, Polystyrene thermoforming, wood, enamel, ink, painted canvas, 70 x 60 x 20 cm.

Gino Sabatini Odoardi, Untitled, 2023, Wood, enamel, polystyrene, ink, console, 140 x 110 cm.

Installation view: Bilico, Gowen, Geneva, 2023. ©Julien Gremaud.

Claude Cortinovis, Au plus près de ma ligne vermillon, 30.12.22, Acrylic ink on handmade grid paper, 140 x 100 cm.

Antonio Riello, Gluttony as a crime, 2023, Regenerated coconut fibers, 150 x100 cm.

Gino Sabatini Odoardi, Untitled, 2023, Polystyrene thermoforming, wood, enamel, ink, painted canvas, 70 x 60 x 20 cm.

Gino Sabatini Odoardi, Untitled, 2023, Wood, enamel, polystyrene, ink, console, 140 x 110 cm.

Claude Cortinovis, Au plus près de ma ligne vermillon, 30.12.22, Acrylic ink on handmade grid paper, 140 x 100 cm.